Many musicians come to Boston to pursue their personal and professional dreams. And for a growing number of these, the road runs through Berklee.

While at the world-famous school of music, artists meet other like-minded people with a driving passion to express themselves through song. They also learn how to turn that passion into a career.

Among the leaders of the artist management muster at Berklee is Ralph Jaccodine.

Having started his own career as a performer, Jaccodine knows well the trials and tribulations (as well as the glory and the fun) involved in a musical life. As he understood the difficulties involved in making it as a performing musician, Jaccodine diversified his passions while in high school in Allentown, PA, promoting shows by the likes of Hall and Oates, Kiss, Rush, and Styx as a member of the city’s high school student government. He then went on to promote shows at the University of Notre Dame, including a concert by Bruce Springsteen.

“That experience brought me a complete fascination with the business of music ,” Jaccodine explains. “I was in a small town and suddenly these huge, shiny busses pull in and everybody in town comes out.”

And while the bands would “blow everybody away and then move on to the next town,” something stuck with Jaccodine that shaped his career and his life.

“To be able to meet the artists and see it all, I really caught the bug and found that I really had a lot of passion for the whole circus act,” he smiles.

In 1994, Jaccodine co-created Black Wolf Records with friend and fellow industry expert Mike Dreese, who had created the popular and enduring Newbury Comics record store. Ralph Jaccodine Management (www.ralphjaccodine.com) was born soon after as a company that, Jaccodine says, was “built on integrity and tenacity.” These dual qualities have helped Jaccodine steer his curated family of clients amidst the tidal waves of a tumultuous industry.

“The philosophy is indie and fiercely independent with global reach in mind for our artists,” explains Jaccodine, noting that his company also founded Black Wolf records with award-winning singer/songwriter Ellis Paul. “The goal is…building lasting careers, focusing on working hard and doing things the right way for the right reasons.”

As he was in Boston and working with many nationally-touring artists, Jaccodine was often invited to speak and present at Berklee.

“I was pretty familiar with the folks in the faculty and Berklee’s status in the music world,” Jaccodine explains. “I also really like talking to student(s) because I feel I have a lot to offer them because I have 25 years of hard-earned experience as a manager.”

The more Jaccodine got to know the school and its faculty and students, the more he wanted to be a part of it.

“Years ago, I asked my management client Livingston Taylor why he was so excited to be teaching at Berklee,” Jaccodine recalls. “He said it was because he was among the best, most talented faculty and students in the country. That stuck with me! “

And while he admits that he was initially reticent to share his wisdoms with the students, Jaccodine says the he now relishes the opportunity.

“When I first started to talk to students, I was very nervous because I did not feel I was an authority figure on the business of music,” he recalls. “But now that I have been managing artists for so long, I feel confident that I am the expert on one thing, my career and my years of experience and the lessons I have learned from the trenches of the music industry.”

As he lives what he teaches, Jaccodine has been able to bring a rare, real world perspective to his classes and his students. “Because it is my day job, I have to be up to date and so I can bring that updated information and perspective to the students,” he reasons. “It is a really good feeling to be able to help them!”

At Berklee (where he won the Dean’s Award for Innovation and Service in 2015 ), Jaccodine also wears multiple hats, serving as an Assistant Professor in the department of Music Business/Management, co-managing the Berklee Music Law & Management Club, and also developing a series of professional development seminars with the Boston Managers Group, which he started 20 years ago with ex-Aerosmith manager Tim Collins.

“The club brings speakers in for the students and the community-at-large,” Jaccodine explains, listing such other austere speakers as Don Law of Live Nation, Panos Panay of SonicBids, Derek Sivers of CD Baby, and Berklee President Roger Brown and also mentioning a recent seminar with Rock and Roll Hall of Famer John Oates. “I am trying to bring a lot of energy and great talent to Berklee.”

Jaccodine has also been able to gain a great deal from his time at the school as well. Among his Berklee-bred clients are Shun Ng and Rebecca Loeb (see January, 2015 issue), and long-time friend Taylor. “I also mentor many of my students and others at the school,” Jaccodine says.

In his role at Berklee, Jaccodine is able to support and influence many young artists and future managers. When asked who influenced and inspired him, Jaccodine again mentions Collins and Dreese.

“In 1992, I came to Mike ranting and raving about Ellis Paul, and how great this guy’s music was. He quickly brought me down to earth saying those two words that have haunted me ever since- ‘Nobody Cares!’”

While Dreese’s response drove home the hard reality that, for the most part, music is seen as disposable, it also encouraged Jaccodine to work even harder to make people care about the songs and songwriters who mattered to him.

“Mike’s challenge to me back…was ‘How do I make people care about the music I care about?’” Jaccodine explains. “I have made a career out of spreading…the music of other people I care about.”

In fact, Jaccodine takes Dreese’s words so to hear that he continues to see his role not just as manager, but also as proselytizer.

“Personal management has to be a holy crusade or nothing at all,” Jaccodine observes. “You have to have confidence that people will care. Spreading my artist’s music is how I feed my family, but just as important... it is how I feed my soul.”

In an effort to repay his mentors and to help them support each other and other colleagues, Jaccodine has also organized a manager’s roundtable, of which Collins and Dreese are integral parts. In fact, Jaccodine recalls, Collins was there from the beginning.

“I had a few months of calling myself a manager under my belt when I called Tim,” Jaccodine recalls. “Tim was on top of the food chain for managers and I just wanted to meet him, touch his garment and hope that something would rub off on me.”

After what turned out to be an extensive conversation, in which Jaccodine was able to share his knowledge of the MA music scene with the eminent manager, Collins offered to reciprocate.

“I asked him to help me form a ‘bunch of managers’ so we can help each other out,” Jaccodine explains.

Thus was the Boston Manager’s Group born!

“As a manager,” Jaccodine suggests, “I am supposed to know how to guide a career without question, the artist places their trust in my guidance. I need to be an expert.”

While Jaccodine says that the Group helps him and other managers find the answers and garner the support they need to help their clients and to hopefully help strengthen and grow the music scene and the industry at large, he still feels that his main role is as an educator.

“I feel like I have found my calling in teaching,” Jaccodine says.

Livingston Taylor composer, voice & guitar
BBC Concert Orchestra | Bill Elliott arranger & conductor

Release Date: January 24, 2025

Recorded live at the BBC’s renowned Maida Vale studio in London with music arranged and conducted by the Tony Award®-winning and GRAMMY®-nominated Bill Elliott, SYMPHONIC STEPS delivers a resounding fusion of folk and classical characteristics, an auditory experience that is nostalgic, tender, and uplifting. Effusing a warm, timeless tone, this Big Round Records release is further proof of the unwavering creativity and artistic zeal that has earned Livingston enthusiastic listeners worldwide.

CLICK HERE to view more about the release.
Check out the Pre-Save Links HERE.

Panos A. Panay was two years old during the 1974 Turkish invasion of Cyprus. "My first memory is of my mother holding me and running along with my sister to the basement next door to escape the bombing of Turkish planes,” he remembers. “Growing up in postwar Cyprus—with shelters, refugees, food shortages, families broken, and the general feeling of constant insecurity—was a shaping event in my life."

Since that difficult period in his childhood, Panay’s trajectory has taken a remarkable upward turn, catapulting him across the Atlantic into leadership positions in the United States. Early in his career, he served as a talent agent, including for legendary performers like Leonard Cohen, Nina Simone, and Chick Corea. After impactful stints in entrepreneurship and academia, Panay now serves as President of the Recording Academy, the organization behind the GRAMMY Awards. He is the first person born outside of the U.S. to hold that position.

Panay’s outlook was influenced by his father, who served as Minister of Interior and Chairman of the University of Cyprus, and his mother, who toiled nearly half a century for the United Nations. "They gave me a sense of something bigger than myself,” he says, “a globalized view of the world, and a commitment to hard work and high standards."

The Journey Begins

Movies played a key role in shaping Panay’s feelings about music. After watching Elvis Presley in King Creole, he fell in love with rock and roll – and the United States. Later, watching the science fiction hit Back to the Future inspired Panay to pick up the guitar.

At 15, the young man set his mind on attending Berklee, the world’s largest independent college of contemporary music, after he spotted the school’s ad in Rolling Stone magazine. Four years later, he only applied to the prestigious Boston program – and he got in.

At first, Panay planned for a career as a professional musician, but that dream faded. “Like many young students at Berklee, I suffered from imposter syndrome,” he says. Panay pivoted and completed a bachelor’s degree in music business/management.

An Entrepreneurial Spirit

He parlayed his undergraduate studies into a position at Ted Kurland Associates, a Massachusetts-based talent agency representing some of the world’s top jazz musicians. Panay handled the international tours of performers like Pat Metheny and Sonny Rollins.

And then came a new millennium. The year 2000 marked the decline in the importance of compact discs and the rise of digital distribution services like Napster. Panay wanted to be on the winning side of the massive industry upheaval. “Looking back at my career, I've always been dedicated to enabling talent to express itself, to meaningfully connect with audiences, and to have their music resonate with people,” he reflects. Working out of his apartment, Panay founded Sonicbids, a startup which enabled artists to connect online with music promoters. His efforts swiftly gained traction. “Over a million gigs happened through the site,” Panay says.

But the platform was more than just a booking device; it created a community for musicians, helping them navigate the complexities of the industry. Ralph Jaccodine, Assistant Professor of Music Business/Management at Berklee College of Music, has known Panay since his early tech days. “Sonicbids improved the lives of musicians and their managers by simplifying access to some of the top festivals, venues and promoters,” he says. “Because Panos knew the pain points of musicians, he came up with a smart solution.”

Panay served as CEO for over a decade until its acquisition, growing the company into a global brand holding exclusive partnerships with organizations like South By Southwest (SXSW). The young Greek American immigrant had risen to become known as a music business visionary.

BOSTON - JUNE 11: Panos Panay, Founding Managing Director, BerkleeICE (Institute for Creative Entrepreneurship), poses in Bosotn on June 11, 2016. (Photo by Barry Chin/The Boston Globe via Getty Images)

Leading Creative Entrepreneurship

At the end of 2013, Panay returned to his alma mater to spearhead the Berklee Institute for Creative Entrepreneurship (BerkleeICE). As the founder and managing director, he focused on fostering innovation and entrepreneurship among students and oversaw its expansions into the United Arab Emirates, Spain, China, and a new U.S location in New York City. Panay saw that the future of the music industry lay in the hands of creative entrepreneurs who could harness technology.

“Today’s music students are feeling the inexorable pull of technology as it draws them away from purely creative work into the world of devices and software and synthetic sound,” says Boston University professor emeritus Peter Marton. Marton delivers special lectures at Berklee and mentors a number of the college’s students each year. "Panos recognized the need to prepare the next generation of musicians for the realities of a tough and demanding business where musicianship is at risk of being replaced, to some degree, by business strategy and technical acumen."

Under Panay’s hand, BerkleeICE became a hub for aspiring music entrepreneurs, providing them with the resources, mentorship, and opportunities to develop their ideas.

A New Era: The Recording Academy

In June 2021, Panay took on a new challenge as the President of the Recording Academy. His appointment came at a pivotal time for the Academy and its GRAMMY Awards, both of which were addressing issues related to diversity, equity, and inclusion. "Talent is everywhere, opportunity is not,” says Panay. “The Academy, with its platform and renown, is in position to become the leading global advocate for all creators, no matter the language they speak, the passport they carry, the music they create, the religion they believe in, or the place they live."

Panay’s vision for the Recording Academy focuses on inclusivity, transparency, and artist advocacy. “What I love about this organization is that it is your own peers determining who is worthy of a nomination and, ultimately, who is selected,” Panay says. “Since our CEO, Harvey Mason Jr., and I joined the Academy, we've been intentional in diversifying its membership in terms of race, gender, and ethnicity. And this is an ongoing process.”

A Legacy of Leadership

Panay’s leadership style is characterized by his hands-on approach, his ability to inspire those around him, and his unwavering commitment to excellence.

'Berklee Professor Jaccodine remembers joining Panay in the Music Business/Management faculty meetings. “He was always a step or two in front of most people in the music industry — and whatever room he was in. Panos' mind is sharp, his view is global, and he leads with his heart, with his love of music and the musicians who create it.”'

WHO KNEW The Smartest People In The Room George Howard and Ralph Jaccodine

For the past 25+ years I have managed the careers of some great artists such as Livingston Taylor, Ellis Paul, Martin Sexton, The Push Stars, Magic Dick & Shun Ng and many others. Helping musicians has been my passion.

It is not often that I add artists to my roster but, today, I have some exciting news... I have recently teamed up with my 20+ year friend the multi-talented Stu Kimball who has a long and varied career as a band member, sideman and producer and, for the last 15 years, as the guitarist for Bob Dylan.

Between joining Bob Dylan’s “Never Ending Tour” in 2004 and leaving it in 2018, Stu strapped on his guitar for 1,323 shows; the most that any guitarist has ever played alongside the iconic singer-songwriter. He has made significant contributions to seven Dylan albums, including 2006’s Grammy-winning, Platinum-selling "Modern Times," and has been hailed by preeminent Dylanologist Peter Stone Brown as “One of the top five guitar players to play on-stage with Bob Dylan — easily.”

Besides working with Bob Dylan, Stu has played with a variety of amazing talent. Check out the list here.

Welcome Stu Kimball! We will be looking to get Stu back out on the road touring as a sideman, playing sessions and producing for his next chapter.

I look forward to hearing from you if you have any questions about Stu.

Cultureshocks is a podcast and blog that takes a sometimes serious, sometimes comedic, look at the politics and culture of today. Barry Lynn’s goal is to do just the opposite of David Letterman’s new podcast “My Next Guest Needs No Introduction”. He introduces folks to people they well might not know because our media has a tendency to recycle “famous people” and ignore innovative voices out there.

Barry Lynn was born in Harrisburg, Pennsylvania. His family moved to nearby Bethlehem when he was a child. He attended Bethlehem's Liberty High School, graduating in 1966.

Lynn received his B.A. in 1970 from Dickinson College in Carlisle, Pennsylvania, and his theology degree from Boston University School of Theology in 1973. After attending law school at night, he received his J.D. degree from Georgetown University Law Center.

After law school, Lynn continued to work with the United Church of Christ to gain amnesty for young men who refused to fight in the Vietnam War. Later, Lynn held various positions related to religious liberties.

From 1974 to 1980, Lynn held positions within the national offices of the United Church of Christ, including two years for the Church's Office of Church in Society in Washington, D.C., as legislative counsel

In the mid-to-late 1980s he was legislative counsel for Washington's ACLU office, where he frequently worked on church–state issues.

From 1992 until his retirement in 2017, the Rev. Barry W. Lynn served as executive director of Americans United for Separation of Church and State, a Washington, D.C.-based organization dedicated to the preservation of the Constitution’s religious liberty provisions. In addition to his work as a long-time activist and lawyer in the civil liberties field.

Lynn is an ordained minister in the United Church of Christ, offering him a unique perspective on church-state issues. An accomplished speaker and lecturer, Lynn has appeared frequently on television and radio broadcasts to offer analysis of First Amendment issues.

In 2006, Lynn authored Piety & Politics: The Right-Wing Assault On Religious Freedom (Harmony Books). In 2008 he coauthored (with C. Welton Gaddy) First Freedom First: A Citizen’s Guide to Protecting Religious Liberty and the Separation of Church and State (Beacon Press).

His latest book is God & Government: Twenty-Five Years of Fighting for Equality, Secularism, and Freedom Of Conscience (Prometheus Books), published in 2015.

Lynn has appeared frequently on radio broadcasts and television to debate and discuss First Amendment issues, including The MacNeil-Lehrer News Hour, NBC's Today Show, Nightline, Fox Morning News (Washington, D.C.), CNN's Crossfire, The Phil Donahue Show, Meet the Press, CBS Morning News, ABC's Good Morning America, NBC Nightly News, ABC World News Tonight, CBS Evening News, and Larry King Live. He is also a weekly commentator on church-state issues for UPI Radio, and served for two years as regular co-host of "Pat Buchanan and Company" on the Mutual Broadcasting System.

Lynn hosted the radio program Culture Shocks, from 2005 until 2013, which could be heard from Washington, D.C., to Southern California on AM and FM radio stations. The show was syndicated nationally by "GCN Live", The Genesis Communications Network.

In October of 2018, Barry Lynn returned to the airwaves with a weekly podcast of Culture Shocks. The show airs at 3 p.m. Pacific Time, every Friday on Radio Station KCAA AM-FM, Loma Linda, California.


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