Artists as Activists
Thursday, September 27, 2018
Artists as Activists featured Kemp Harris, singer-songwriter, actor, and educator; Christal Brown (Urban Bush Women and program chair of Dance at Middlebury College), choreographer, educator, performer, and writer; Vincent Thomas (Urban Bush Women BOLD facilitator), dancer, choreographer, and teacher; and Chad Stokes, cofounder of Calling All Crows, a nonprofit organization. The residency also featured Barry Lynn, American journalist and writer; and Jim Lucchese, former CEO of Echo Nest/Spotify.
It was made possible because of generous support from the AVK Foundation.
Missing From Your Job Description
Wednesday, April 25, 2018
If you're working in an office, here are some of the checklist items that might have been omitted:
- Add energy to every conversation
- Ask why
- Find obsolete things on your task list and remove them
- Treat customers better than they expect
- Offer to help co-workers before they ask
- Feed the plants
- Leave things more organized than you found them
- Invent a moment of silliness
- Highlight good work from your peers
- Find other great employees to join the team
- Cut costs
- Help invent a new product or service that people really want
- Get smarter at your job through training or books
- Encourage curiosity
- Surface and highlight difficult decisions
- Figure out what didn't work
- Organize the bookshelf
- Start a club
- Tell a joke at no one's expense
- Smile a lot.
Now that it's easier than ever to outsource a job to someone cheaper (or a robot) there needs to be a really good reason for someone to be in the office. Here's to finding several.
Live Nation Rules Music Ticketing, Some Say With Threats
Tuesday, April 24, 2018
In 2010, when the Justice Department allowed the two most dominant companies in the live music business — Live Nation and Ticketmaster — to merge, many greeted the news with dread.
Live Nation was already the world’s biggest concert promoter. Ticketmaster had for years been the leading ticket provider. Critics warned that the merger would create an industry monolith, one capable of crippling competitors in the ticketing business.
Federal officials tried to reassure the skeptics. They pointed to a consent decree, or legal settlement, they had negotiated as part of the merger approval. Its terms were strict, they said: It would boost competition and block monopolistic behavior by the new, larger Live Nation.
“There will be enough air and sunlight in this space for strong competitors to take root, grow and thrive,” said the country’s top antitrust regulator, Assistant Attorney General Christine A. Varney. And she went further, suggesting that reduced ticket service fees, even lower ticket prices, might be on the horizon.
Mentoring for the Modern Musician Podcast
Friday, March 2, 2018
#34 Living legend Livingston Taylor LIVE @ Berklee College of Music
The Mentoring for the Modern Musician podcast, often featuring interviews with industry insiders who would never take your call, is designed to help cut the learning curve for musicians in and ever-changing music industry. Through in-depth topical discussions, the Scharff Brothers look to help musicians cultivate the skills necessary to forge a career as a creative artist. Pioneers in Virtual Artist Development, the Brothers steer each interview and conversation in an entertaining, informative, upbeat and completely original direction. In an ever-changing music industry, up to date and often cutting-edge information can make all the difference in a successful career. As the boys will tell you “You got this…We got your back.”
Ways You Can Defeat Distractions and Win Your Day
Monday, April 23, 2018
“Distractions destroy action. If it’s not moving towards your purpose, leave it alone.”—Jermaine Riley
Almost everything around you is designed to steal your attention.
That’s why it’s essential to learn how to shield yourself and develop your ability to focus on command.
You will need to fight off five types of distractions, and below you will find different ways that will help you do exactly that.
Ralph Jaccodine Receives the Club Passim Legacy Award!
Tuesday, October 23, 2018
For Immediate Release
Contact: Adam Klein
Ralph Jaccodine Recognized with Passim Legacy Award
Award Recognizes Individuals Who Have Demonstrated Extraordinary Commitment to the Organization
Cambridge, MA, October 30, 2018 – Recognizing years of dedication to the organization, Passim announced that it has bestowed the Passim Legacy Award on Ralph Jaccodine, founder of Ralph Jaccodine Management and faculty member at Berklee College of Music.
“For more than a decade, Ralph has been a part of the Passim family, serving on both our Board of Directors and our Advisory Council,” said Jim Wooster, Executive Director of Passim. “His unwavering commitment, depth of knowledge and willingness to help guide the organization over the years has been unmatched. We are thrilled to honor him with this award and publicly recognize his contributions.”
The Passim Legacy Award recognizes individuals who have shown extraordinary commitment and dedication to the organization, and whose contributions have had a profound and lasting impact on Passim, its members, and the community served by Passim. These contributions have enriched the lives of members of our community, consistent with Passim’s mission of helping the performing arts flourish by providing exceptional live musical experiences, nurturing artists at all stages of their careers, and building a vibrant music community.
Jaccodine’s work with Passim traces back to the organization’s transformation from a music club, under the leadership of Bob and Rae Ann Dolin, to a non-profit organization. He served as a member of the Board of Directors for twelve years, ensuring the financial stability of the organization while helping to expand the mission to serve a greater community. He currently serves as a member of the Passim Advisory Council.
“Passim has been an integral part of my life, first as a fan and then throughout my career where many of my musicians began to play. Over the years, I began to see my support of the organization as a way to give back to the music community that has shared so much with me,” said Jaccodine. “Like many members of the Passim community, I view the organization as a national treasure. I am honored to receive this award and look forward to continuing to share Passim’s mission to the greater music community.”
As founder of Ralph Jaccodine Management, Jaccodine has emerged as an important voice in the music community in Boston, helping musicians build lasting careers by focusing on hard work and doing things for the right reasons. Jaccodine is also a full-time faculty member in the Music Business/Management Department at Berklee College of Music.
The mission of Passim is to provide truly exceptional and interactive live musical experiences for both performers and audiences, to nurture artists at all stages of their career, and to build a vibrant music community. Passim does so through their legendary listening venue, music school, artist grants and outreach programs. As a nonprofit since 1994, Passim carries on the heritage of our predecessors-the historic Club 47 (1958-1968) and for-profit Passim (1969-1994). We cultivate a diverse mix of musical traditions, where the emphasis is on the relationship between performers and audience and teachers and students. Located in Harvard Square, Passim serves Cambridge and the broader region by featuring local, national and international artists. Our ultimate goal is to help the performance arts flourish and thereby enrich the lives of members of our community. For a complete schedule, visit www.passim.org.
Ralph Jaccodine Management Partners with Kemp Harris!
Saturday, September 1, 2018
- Tom Ashbrook, Host of NPR's On Point
Kemp Harris is a composer, musician, children’s author, actor, and teacher. Born in North Carolina, Kemp taught himself piano and was writing songs at age 14. As a musician and composer, Kemp has shared the stage with Taj Mahal, Gil Scott-Heron, and blues artist, Koko Taylor. He wrote and performed “If Loneliness Was Black” for the Alvin Ailey American Dance Theater and Complexions Dance Company. Kemp has also composed for WGBH Public Television/Boston.
Kemp’s album, “Sometimes In Bad Weather”, is a thoughtful tapestry, exploring the intersection of American Roots music, Jazz, and African Folk influences. Kemp’s second release, “Edenton” is a blues inspired journey, featuring the Grammy-nominated Holmes Bros providing additional vocals. Kemp composed the credit soundtrack for “An Unreasonable Man”, a documentary about the life and career of Ralph Nader. It is now the theme song for Mr. Nader’s weekly radio talk show.
Kemp taught kindergarten and 1st grade in the Newton Public Schools system for 38 years. He wrote the
children’s book/song “Snow”. He has since retired yet continues his storytelling in elementary schools. Kemp
looks forward to exploring all aspects of his artistic interests.
"Earthy, insightful, haunting... sacred and profane. Harris is in perfect communion with the Holmes Brothers and his earthy band."
- Frank-John Hadley, Downbeat
"Harris has his finger on the pulse of the modern world, with an intensity born of awareness and he writes with an understanding of what our lives lack. He delivers this wisdom with a timeless voice."
- Art Tipaldi, Blues Revue
Live From The David Bieber Archives : 082418
Friday, August 24, 2018
Ralph Jaccodine was featured on the August 24, 2018 episode of "Live From The David Bieber Archives".
Check it out here!
Livingston Taylor Joins The APA Roster!
Monday, April 23, 2018
For booking information on Livingston, please contact Seth Rappaport: email@example.com
Flynn & Robert Mueller
Friday, April 20, 2018
Flynn and Robert Mueller (Director of the FBI)
Flynn performed at the Fraternal Order of Police Memorial Service. July 2004.
WGBH's Front Row Boston featuring Shun Ng
Tuesday, April 10, 2018
My Guitar, My Guiding Light - Shun Ng feature in Star2
Monday, March 5, 2018
By N. RAMA LOHAN
“THE next thing I knew, someone was banging on the toilet door. It was my manager, who told me Quincy was talking about me.” Shun Ng walked out nonchalantly in an attempt to calm his nerves, but he should have known better. And just as he arrived at the main area where architect Frank Gehry’s house party was swinging, he caught the eye of multi Grammy-winning producer, Quincy Jones, who duly introduced him to the audience.
Of course, the two men are no strangers. Ng had performed for Jones at his home upon the music legend’s behest, after the octogenarian had watched him in the music video for the song Get On With It with Singapore’s King Of Swing, Jeremy Monteiro.
Four years on, and that performance by Ng now marks one of many highlights in his young yet chequered career. It’s hard to fathom this was the same young man who was once dismissed as a failure because of his dyslexia. The ill-educated perceptions served nothing else but to hurt his confidence.
“I never realised how badly it affected me until later. I grew up with low self-esteem because of it,” revealed the Singaporean, who was born in Chicago, the United States.
As a child, though, he at least found a calling in gymnastics. “I was a hyperactive kid, and the one most likely to jump into a sponge pit. But that environment (gymnastics) became too competitive for me, and I began to hate it within a couple of years. My coaches pushed me hard, and my parents felt I should stick to something, but all I was trying to do was quit,” he said, ruing the time spent. Naturally, that interest died quickly, even though he persevered for several years – until a friend brought a guitar to the gym one day. That’s when everything changed.
In the instrument, Ng found a voice, a calling that would have him dedicate his life to the six-string.
“I felt like there was nothing I could do well at that age, but the guitar changed that. Learning to play that first chord felt like an achievement,” he shared, detailing his start as a musician.
That first chord learnt soon led him to learning all the parts on Michael Jackson’s Billie Jean, a challenge thrown at him by a friend which he duly took up and accomplished. Did he play it for Mr Jones, then? “No,” he responded sheepishly.
A stint at Singapore Polytechnic to pursue an Associate Degree in Music and Audio Technology when he was 16 did little to convince him that formal education was the way forward. Poor results needlessly discouraged him further. “I didn’t do well, and it was just a struggle. Reading music was tough, and it made me feel like I would never be good.” But even in the throes of despair, the guitar remained his guiding light.
Music not being predominant in his household barely deterred Ng, too, and soon, he was learning the classics by ear.
“I passed off (the Beatles’) Hey Jude as my own to my dad,” said the 27-year-old, with a hearty chuckle, revealing that it was his old man who bought him his first guitar for his 14th Christmas. “Music was an escape, and that’s how I became a student of it,” he added.
It was the blues that truly turned him on his head, the mournful, rootsy idiom resonating with him like no other.
“Blues is raw, and the way it’s played has an intellectual feel. Emoting is important, and though there are only five notes in the blues, I loved it and I dove straight into it.”
There’s the ill-advised belief that the blues is nothing but an interminable jam session, but Ng disagrees. “People need to listen to the great old stuff, where you can feel the pain in the music and lyrics. For some reason, people are scare to delve into the sorrowful element of the blues,” he opined.
Ng, though, dipped liberally into the wellspring of blues influences, absorbing the sounds of Robert Johnson, Sonny Terry & Brownie McGhee, John Lee Hooker, Howlin’ Wolf, Muddy Waters and Freddie King. While cutting his teeth in the genre, he was fortunate enough to ply his trade in the club circuit in Chicago, playing with grizzled old hacks and younger musicians alike.
“They taught me that the blues is about being a family. They all treated me like one of them and were so encouraging. They loved the idea of a Chinese kid playing the blues,” he said, of the experience.
The flame of desire in him grew exponentially, and in 2012, he released his debut album, Funky Thumb Stuff, which even drew the attention of revered guitarist Tuck Andress, of duo Tuck & Patti. The album was also the entry point in him gaining Jones as an audience and fan.
But fate had other ideas for the budding guitar player, and upon the recommendation of Singapore’s Cultural Medallion winner, Dr Kelly Tang, he was awarded a scholarship from Berklee College of Music, and was eventually selected for the prestigious Artist Diploma, an esteemed programme for highly recognised musicians.
This educational stint, though, yielded something much more meaningful – being in Boston allowed him to cross paths with 1970s blues rock outfit J. Geils Band’s harp player, Magic Dick. Ng and Magic recorded the God Of Father of Soul, James Brown’s clas- sic Papa’s Got A Brand New Bag, a cool bluesy rendition of the gem.
Ng currently tours with a duo of back-up singers, powerhouses Deon Mose and Angel Chisholm, who are collectively labelled the Shunettes, a moniker clearly inspired by 1960s vocal girl group The Ronettes.
He may still need years to emulate his heroes, but he has certainly set himself on the right path and dug deep into a genre that best represents him.
“I feel nothing has been more satisfying than learning life through music,” he said. And based on his meeting with Jones at the elder statesman’s home, where they spoke about everything but music (“We talked about life, ribs recipes, culture, architecture ...”), life has already presented him with a perspective that could only serve him well in future.